BA Yale University
Diploma St. Petersburg State Conservatory - Russia
DePaul Concert Orchestra
Michael Lewanski was appointed Assistant Professor of Instrumental Ensembles at the DePaul University School of Music in 2012 after having served as an adjunct professor since 2007; he enjoys a varied career as a champion of contemporary music and standard repertoire alike. He is the conductor of the DePaul Concert Orchestra, Ensemble 20+ (20th and 21st century music), and guest conductor of the DePaul Wind Ensemble and DePaul Symphony Orchestra. In addition to his work at DePaul, Michael is conductor of the internationally acclaimed Chicago-based Ensemble Dal Niente. He attended the 2012 Darmstadt International Summer Courses for New Music where Ensemble Dal Niente, under his direction, became the first ensemble to be awarded the prestigious Kranichstein Music Prize.
Michael’s recent guest conducting has included collaborations with Lyric Opera of Chicago (the world premiere performances of a new work), chamber ensembles from the Chicago Symphony Orchestra, the Toledo Symphony Orchestra, the International Contemporary Ensemble (ICE), the Chicago Chamber Musicians, the Spektral Quartet, the Fifth House Ensemble, the Rembrandt Chamber Players, the Detroit Symphony Civic Youth Orchestra, Mocrep, and others. He has led over 100 world premieres. He served as the Conducting Assistant of the Civic Orchestra of Chicago from 2010 to 2014. His recordings include works by Franco Donatoni, Dai Fujikura, Kurt Westerberg, Aaron Einbond, Kyong-Mee Choi, Janice Misurell-Mitchell, Katherine Young, and Ileana Perez Velazquez. He has acted as producer for recordings by Ensemble Dal Niente, Spektral Quartet, Third Coast Percussion, violinist J. Austin Wulliman, and saxophonist Ryan Muncy.
A native of Savannah, Georgia, he made his conducting debut at age 13 with the Savannah Symphony Orchestra. At 16, he was the youngest student ever accepted into the conducting class of the legendary Ilya Musin at the St. Petersburg Conservatory in Russia. Michael attended Yale University, where his studies included conducting with Lawrence Leighton Smith and piano with Sara Laimon. He was music director of the Yale Bach Society Orchestra and conductor of the Yale College Opera Company. His post-Yale education featured conducting study with Cliff Colnot and Dutch new music expert Lucas Vis.
Michael was an organizer of There is No Repetition: Mathias Spahlinger at 70 in March 2015. Other recent festival appearances, in addition to the 2012 and 2014 Darmstadt Summer Courses, include the 2015 Foro Internacional de Música Nueva in Mexico City, the 2013 Ecstatic Music Festival (in which Dal Niente collaborated with the rockband Deerhoof), the 2013 Bowling Green New Music Festival, the 2014 Northwestern New Music Conference, the 2015 Omaha Under the Radar Festival, the 2010 and 2012 Chicago Youth in Music Festival, the 2010 Unbound Festival of American Chamber Music, the 2011 Unruly Music Festival, the 2012 and 2013 International Beethoven Festivals, the 2013 and 2015 MusicArte festival in Panama.
Michael has held an appointment as conductor of the Columbia College Chicago-sponsored Columbia Community Symphony Orchestra. He has been an assistant conductor of the Northwest Indiana Symphony Orchestra. He was formerly music director of the Skokie Concert Choir. He has collaborated with stage director Paul Koch on a number of nontraditional productions of Baroque opera. As a pianist and harpsichordist, he has appeared throughout the Chicago area accompanying singers and instrumentalists. Michael is also an active writer, chamber music coach, arranger, and conducting teacher. As an educator of pre-collegiate students, he has worked with the Chicago Academy for the Arts and the Elgin Youth Symphony.
Michael’s diverse schedule for the 2015-2016 concert season includes concerts with four DePaul School of Music Ensembles; Ensemble Dal Niente’s 10th anniversary season (including its Chicago concert series, a Northeastern tour, and an appearance at June in Buffalo); guest conducting the Civic Orchestra of Chicago; return engagements in Toledo and Detroit; numerous recording projects; various festival appearances; and academic presentations and conferences.
Photo by Chelsea Ross